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    • Teaching Writing in Higher Education, 2001 »
    • Teaching Writing in Higher Education
    University of Warwick

    Teaching Writing in Higher Education

    The Warwick Writing Programme
    Provisional Programme
    Monday 26 March 2001

     
    9:00-11:00Registration (Rootes Social Building): Room keys will not be available at this time but baggage may be checked in. Morning Tea/Coffee served in Upper Foyer of Arts Centre. Warwick University Bookshop open, featuring conference book display.
      
    11:00-11:10
    Arts Centre
    Conference Room

    Welcome and Introduction
    Jeremy Treglown, Chair of the Warwick Writing Programme

     
      
    11:10-12:30
    Arts Centre
    ConferenceRoom

    Opening Plenary Panel
    Chair: Lisa Ganobcsik-Williams, The Warwick Writing Programme

    Andrea A. Lunsford, Roz Ivanic, and Mary R. Lea'Teaching Expository Writing: A Transatlantic Exchange' 
      
    12:45-1:45Buffet Lunch (Rootes Social Building)
      
    2:00-3:30

    Panel Session 1(Social Studies Building)
    Room 010 A. Junctions Between Creative & Academic Writing
    Chair: Carole Angier
    , Royal Literary Fund Fellow (University of Warwick)
     Diana Barsham, Department of English (University Of Derby): '"Ignoble Archives" . . . "Paradises of Thought": Working with the Essay as both Discipline and Play'
     Catherine Davidson, University Writing Coordinater (Richmond, The American International University in London): 'Composing Creative Writing; Creating Composition: Myths, Stories, Ideas and an Argument about the relationship between Composition and Creative Writing'
     Rebecca Stott and Tory Young, Department of English (Anglia Polytechnic University): 'The Speak-Write Project: Creativity and Key Skills'
    Room 011 B. Approaches to Teaching Creative Writing
    Chair: Peter Wilson, School of Arts and Humanities (University of North London)
     Jon Cook, School of English & American Studies (University of East Anglia): 'Workshops'
     Livi Michael and Ian Pople (Sheffield Hallam University/University of Manchester): 'Workshopping the Fiction Process'
     Anna Garry, School of English & American Studies (University of East Anglia): 'Creative Writing Teaching: A Learner-Centred Approach'
    Room 013 C. The Limits of U.S. Models of Expository Writing
    Chair: Helen Dennis, Department of English (University of Warwick) 
     Joan Mullin, Director of Writing Across the Curriculum (University of Toledo, Ohio): 'Don't Repeat Our Mistakes! Learning From-Not Duplicating-U.S. Theory and Practice'
     John Heyda, Department of English (Miami University): 'Sentimental Education: the Expense of Requiring First-Year Writing in U.S. Colleges and Universities'
     Jackie Pieterick, School of Humanities, Languages & Social Sciences (University of Wolverhampton): 'Notes From a Small Island about Importing Writing Programmes Made in America'
    Room 017 D. Teaching Writing in Literature Departments
    Chair: Stacy Gillis, Department of English (University of Exeter)
     Richard Kerridge, Course Director: Creative Writing (Bath Spa University College): 'Ethics in the Workshop'
     Peter Mack, Department of English & Comparative Literary Studies (University of Warwick): 'Process, Genre and Audience in Teaching Writing to English Students'
    Room 018 E. Subject-Centred Approaches to Academic Writing (I)
    Chair: Sheena Gardner, CELTE (University of Warwick)
     Theresa Lillis, Centre for Language and Communications (The Open University): 'Re-imagining Student Writing as a Site of Dialogue'
     Teresa O'Brien, Department of Education (University of Manchester): 'Student Writing and Academic Register: A Comparison of Coursework and Examination Writing'
     Alexander Spiteri, Institute of Linguistics (University of Malta): 'Can Writing for Specific Purposes be Taught Creatively?'
      
    3:30-4:00Afternoon Tea/Coffee (Upper Foyer of Arts Centre)
      
    4:00-5:00
    Arts Centre
    ConferenceRoom

    Plenary Panel
    Chair: Peter Mack, Department of English (University of Warwick)

    Blake Morrison and Hilary Spurling: 'Do the Conventions Matter?'
      
    5:00-6:00Break Delegates may pick up room keys and baggage at Rootes Reception desk and check into their rooms. Warwick University Bookshop open until 5:30.
      
    6:00-7:00Drinks Reception (EAT! Restaurant, Arts Centre):

    Reception hosted by The Royal Literary Fund 

      
    7:00-8:00
    Arts Centre
    Conference
    Room
    A Reading by Andrew Motion and Russell Celyn Jones
    Chair: David Morley, The Warwick Writing Programme

     
      
    8:00-11:00Dinner (Chancellor's Suite, Rootes Social Building)
      
    11:00-12:00Cash Bar extension (Chancellor's Suite)
      
      

    Provisional Programme
    Tuesday 27 March 2001

     
    7:30-9:00Breakfast (Rootes Restaurant)
      
    9:00-10:00
    Arts Centre
    ConferenceRoom

    'Royal Literary Fund Initiatives in Teaching and Research'
    Chair: David Morley, The Warwick Writing Programme

    Lisa Ganobcsik-Williams (University of Warwick): 'Teaching Writing at University: A Question of Evidence'

    Sue Drew (Sheffield Hallam University): 'So what could a Royal Literary Fund Fellow do for us?'

      
    10:00-10:20Morning Tea/Coffee (Upper Foyer of Arts Centre) 
      
    10:30-12:00Panel Session 2(Social Studies Building)
    Room 010 A. Expository Writing: Are 'Skills' Enough?
    Chair: Lotte Rienecker, Academic Writing Centre (University of Copenhagen)
     Alan Evison, Learning Development Unit (Queen Mary & Westfield College): 'Developing a Writing in the Disciplines Programme at QMW'
     Mary Jane Curry, Centre for Languages & Communications (The Open University): 'Non-Native Speakers Writing in the University: Learning from "Basic Writing" in the United States'
     Jan Skillen, Learning Development (University Of Wollongong, Australia): 'A Paradigm Shift in Supporting Students' Development of Writing in Higher Education'
    Room 011 B. Assessing Creativity
    Chair: Lynda Morgan (Buckinghamshire Chilterns University College) 
     Jane McKie, Department of Continuing Education (University of Warwick): 'Valuing Creative Writing in Adult Education'
     Celia Hunt, Department of Continuing Education (University of Sussex): 'Assessing Personal Writing'
     Fiona Sampson, Freelance Author (Director of the Stephen Spender Memorial Trust): 'Theorising the Writing Process: Private Experience or Public Practice?'
    Room 013 C. Research on Student Writing
    Chair: Dr. Adrian Stokes, Centre for Academic Practice (University of Warwick) 
     Susan Orr and Margo Blythman (London Institute of Fashion): 'Designing Your Writing: Writing Your Design'
     Andy Ward and Rose Lonsdale (University of Wales, Aberystwyth): 'Problems in Academic Writing: Views of Copy-editors and Sub-editors'
     Gerard Sharpling, CELTE (University of Warwick): 'A Balancing Act: How Non-Native Postgraduate Students Construct and Develop Sentences in English'
    Arts Centre
    Conference
    Room 
    D. University Writing and the World of Work & Community
    Chair: Tory Young, Department of English (Anglia Polytechnic University)

    James Dubinsky, Director of Professional Writing (Virginia Tech, USA): 'The "Ideal Orator" Revisited: Writing Well to Bridge School and Work and Serve the Community'

    Rick Hudson, Lecturer in Writing (Southampton Institute): 'This is Not a Writing Circle'

    Jane Taylor (Surrey Institute of Art & Design): 'Teaching Writing to Journalism Students: Art or Craft?'

    Room 018 E. Teaching Teachers To Teach Writing
    Chair: Diana Barsham, Department of English (University of Derby)
     Geoffrey Lewis (Northern College, Aberdeen): 'Supporting Student Teachers in Their Writing'
     Rowena Murray, Centre for Academic Practice (University of Strathclyde): 'If not Rhetoric and Composition, then what?: Teaching Dissertation Writing'
     Sada Amhad Daoud, ESP Centre (Damascus University, Syria): 'EFL Writing Teachers' Needs: Implications for Teacher Education Programmes'
      
    12:00-1:30

    Panel Session 3(Social Studies Building)
    Room 010 A. Writing From School To University
    Chair: Peter Stray Joergenson, Academic Writing Centre (University of Copenhagen)
     Mary Scott, (London Institute of Education): 'Students in Transition: Writing About Literature at A-level and at University'
     Ann Hewings, Centre for Language & Communication (The Open University): 'Undergraduate Writing in Geography-The Development of Disciplinary Awareness'
     Robert Catt and Gerry Gregory, Department of Education (Brunel University): 'The Point of Writing: Developing HE Student Writing - or just Assessing it?'
    Room 011 B. Subject-Centred Approaches to Academic Writing (II)
    Chair: Dave Peggs, Warwick Writing Programme (University of Warwick)
     Stella Smyth, English Language Teaching Unit (University of Leicester): 'The Custody of Creativity in a Legal Essay'
     Alison Ahearn, Department of Engineering (Imperial College, London): 'Engineering Writing'
     John Turney, Department of Science & Technology Studies (University College London): 'Explanation in Search of a Theory'
    Room 013 C. Error Analysis in Student Papers: Research on Feedback
    Chair: Jane Mallinson, English Department (Leiden University, NL)
     Nicola Coupe and Denise Hayes, Department of English (Newman College): 'Looking for Rouge Results: Patterns of Error in Undergraduate Writing'
     Pat Hill, Department of English, Media and Theatre Studies (University of Huddersfield): 'Feedback on Feedback'
     Sheena Gardner, CELTE (University of Warwick): 'Formative Feedback on Academic Term Papers'
    Room 017 D. Historical Perspectives On Creative And Academic Writing
    Chair: Alistair Wisker (Ruskin College, Oxford)
     Graeme Harper (University of Wales, Bangor): 'Creative Writing and Academe, 1890 to the Present: Writers, Literary Culture, and the Modern University Campus'
     Rebecca O'Rourke, School of Continuing Education (University of Leeds): 'In and Against Education: Some Origins and Consequences of Teaching Creative Writing'
     Alice Tomic, Department of Communication & Fine Arts (Richmond, the American University in London): 'Hybridity in Action: A Critical Narrative of the Evolution of a UK/US University Writing Programme'
    Room 018 E. Reflection & Personal Voice In Academic Writing
    Chair: Candida Clark, The Warwick Writing Programme (University of Warwick)
     Robert Root, Department of English (Central Michigan University): 'Centering the Writer in the Writing' 
     Phyllis Creme, School of Cultural & Community Studies (University of Sussex): '"Transitional" Writing'
     Jennifer Moon, Staff Development (University of Exeter): 'What is Reflective Writing?'
      
    1:30-2:30Buffet Lunch (Rootes Social Building)
      
    2:45-4:15

    Panel Session 4(Social Studies Building)
    Room 010 A. The Politics of Writing Centres & Writing Programmes
    Chair: Aled Williams, Department of English (University of Warwick)
     George Layng, Department of English (Westfield College, Massachusetts) 'Writing Centres, the "Literacy Crisis," and the Place of Creativity'
     Vivienne Johnson (Independent Scholar): 'The Writing Centre: An Essential University Resource'
     David Morley, Warwick Writing Programme (University Of Warwick): 'A Model of a Writing Programme as a Business'
    Room 011 B. Effects of Creative Techniques on Student Writing
    Chair: Susan Orr (London Institute of Fashion)
     Varvara Richards and Heather Ker, Teaching & Learning Development Unit (University of Waikato) and Department of Communication (The Waikato Polytechnic) New Zealand: 'Poetry for Praxis, Too'
     Sue Burge (University Of East Anglia): 'Using Creative Writing in the EFL Classroom'
     Ramona Tang (University Of Birmingham): 'Putting a Personal Stamp on Academic Writing'
    Room 013 C. Creative Writing as Research/Integrating Critical and Creative Writing
    Chair: Gill Frith, Department of English (University of Warwick)
     Susan Bassnett, British & Comparative Cultural Studies (University of Warwick): 'The Uses of Creative Writing in Literature Programmes'
     Vic Sage, School of English & American Studies (University Of East Anglia): 'Two PhD's in One? Theory and Practice in the Creative Writing PhD'
     Peter Wilson, School of Arts & Humanities (University of North London): 'Creative Writing as Critical Response'
    Arts Centre
    Conference
    Room
    D. Writing & Technology
    Chair: James Dubinsky, Department of English (Virginia Tech, USA)

    Stacy Gillis, Department of English (University Of Exeter): 'Creative Technology/Technological Creativity: Using the Web to Teach Writing'

    Christine Zaher (Richmond, The American International University in London): 'From Chalkface to Blackboard'

    Peter Hartley and Noel Williams, Department of Communication Studies (Sheffield Hallam University): 'Talking to Write: Towards a Framework for Voice Recognition in Writing'

    Room 018 E. Changing Higher Education to Teach Writing
    Chair: Mary Jane Curry, Centre for Language and Communications (Open University)
     David Wray, Institute of Education (University of Warwick): 'Writing in the Disciplines: General or Specific Skills?'
     James Hartley, Department of Psychology (Keele University): 'The Effects of Teaching Psychology Students to Write Structured Abstracts'
     Ian Davidson, Department of Continuing Education (University of Wales, Bangor): 'Within and Without: The Self and Other in a Part-Time and Flexible Creative Writing Programme'
      
    4:20-5:20
    Arts Centre
    Conference
    Room
    Plenary Panel and Concluding Remarks
    Chair: Jeremy Treglown
    , The Warwick Writing Programme

    Andrew Motion: 'What is "Creative Writing"?'

    Carolyn Steedman: 'Writing and the Definition of the Self'

    Stefan Collini: 'Beyond "Skills": Writing in the Humanities'

      
    5:20-5:45Tea/Coffee (Upper Foyer of Arts Centre)
      
      

    Alternatively contact:
    THE CONFERENCE MANAGEMENT SERVICE
    Warwick Conferences
    The University of Warwick, Coventry CV4 7AL, U.K.
    Telephone: (024) 76 523755


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