Dr Helen Wheatley
Associate Professor in Film & Television Studies
Tel: +44 2476 573871
Email: helen dot wheatley at warwick dot ac dot uk
University of Warwick
Coventry, CV4 7HS
Helen Wheatley holds a BA in American and English Literature from the University of East Anglia and an MA and PhD in Film and Television Studies from the University of Warwick. Helen has taught at the University of Warwick since 1998, with a brief sojourn to the University of Reading as Postdoctoral Research Fellow on the AHRB-funded project Cultures of British Television Drama, 1960-82 between 2003 and 2005. Helen is currently co-investigator on the AHRC-funded project A History of Television for Women in Britain, 1947-89. She also serves on the editorial boards of the following journals: Screen, Critical Studies in Television, Intensities, Revenant.
I have research interests in various aspects of British television history, and have published work on popular genres in television drama in the UK, US, including the monograph Gothic Television (2006). I have an ongoing interest in issues of television history and historiography, the topic of my edited collection Re-viewing Television History: Critical Issues in Television Historiography (IB Tauris, 2007). I am currently undertaking research on television spectacle and visual pleasure on television for a monograph which will be published in 2016; this combines research on the history of particular television technologies as spectacular, with analysis of the ways in which, for example, landscape, bodies (both human and animal), and action are rendered visually pleasurable or spectacular on the small screen. I was recently Co-Investigator on the AHRC-funded project ‘A History of Television for Women in Britain, 1947-1989’, running between Warwick and De Montfort University, 2010-2014, with Rachel Moseley (Warwick) and Helen Wood (Leicester University). The project brought together archival and audience research methods in order to map this untold history and explore women viewers’ memories of the television that has been addressed to them. The project was awarded the 2012 Arts Impact Award for public engagement with its Pop-Up TV Pop Shop in Coventry City Centre. I am also developing research on the history of children’s television culture in Britain which is the subject of a large-scale touring exhibition being designed with colleagues at the Herbert Art Gallery and Museum which will tour the UK for three years from May 2015.
Gothic Television (Manchester University Press, 2006).
Re-viewing Television History: Critical Issues in Television Historiography (IB Tauris, 2007).
Spectacular Television: Exploring Televisual Pleasure (IB Tauris, forthcoming in 2015).
- ‘“Marvellous, awesome, true-to-life, epoch-making, a new dimension”: Reconsidering the early history of colour television in Britain’, in Laura Mee and Johnny Walker (eds) Cinema, Television and History (Cambridge: Cambridge Scholars Press, 2014).
‘At home on safari: colonial spectacle, domestic space and 1950s television’, Journal of British Cinema and Television. Volume 10, pp. 257-275 (2013).
‘Uncanny children, haunted houses, hidden rooms: Children’s Gothic television in the 1970s and 80s’, Visual Culture in Britain, 13: 3, pp. 383-397 (2012).
'Beautiful images in spectacular clarity: spectacular television, landscape programming and the question of (tele)visual pleasure' Screen, 52:2 (2011).
‘Is Archiving a Feminist issue? Historical Research and the Past, Present and Future of Television Studies’ [with Rachel Moseley], Cinema Journal, 47:3 (2008).
‘Rooms within rooms: ITV and the studio heritage drama of the 1970s’ in C. Johnson and R. Turnock (eds), ITV Cultures: Independent Television Over Fifty Year, pp. 143-158 (Maidenhead: Open University Press, 2005).
‘The limits of television? Natural history programming and the transformation of public service broadcasting’, European Journal of Cultural Studies, 7:3, pp. 325-339 (2004).
Teaching and supervision
I teach across many areas of television history and criticism, and in relation to a number of popular genres (e.g. horror film and television, the road movie).
In 2014-15 I am teaching an introduction to television aesthetics on the first year module Visual Cultures, work about the Gothic and horror in film and television on the third year module Horror and the Gothic.
I am especially interested in supervising PhD projects on television history and historiography, television drama, the UK and US television industries and programming more broadly.
I have recently supervised doctoral work on authorship and style in American television drama, and the male makeover.
I am currently supervision doctoral students working on:
- The fanvid (Charlotte Stevens)
- The children’s horror film (Catherine Lester)
- Television kinaesthetics (Zoe Shacklock)
- Director of Graduate Studies