Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • Text only
  • |
  • Sign in
  • Search Department of French
  • Search University of Warwick
  • Search for people at Warwick
  • Search Warwick Blogs
  • Search past exam papers
  • Search video
  • More…

    Department of French Studies

    • About us
    • Applying to study
    • Current Students
    • Staff
    • Current Research
    • The Marandet Collection of French Plays
    • Contact us
    • Marandet Matters
    University of Warwick

    Marandet Matters

    As part of their undergraduate studies, students taking modules with Dr Katherine Astbury in the Department of French Studies have the opportunity to write their assessed essays on a research topic linked to the Marandet collection. The results are genuinely original research using the plays from the Warwick collection. The essays are unedited, appearing here in the form in which they were submitted as part of the requirements of the degree.

    Issue 1 of Marandet Matters (2007)

    Elizabeth Fox, 'The Theme of Stability in the plays of the Napoleonic period, with particular reference to Pixerécourt'

    Laura Lamble, 'Victor, René and the socio-literary context of post-Revolutionary France'

    Amy Phillips, 'The Classical model in Post-Revolutionary theatre'

    Sophie Ward, ' Melodrama and the Gothic with particular reference to Victor, ou, L’Enfant de la Forêt, La Caverne de Souabe, Léon, ou, le Château de Montenero and Le Château des Apennins, ou, le Fantôme vivant'

    Issue 2 of Marandet Matters (2011)

    Lavinia Bailey, « Quel langage pour un pasteur! »The Rhetoric of Convent Theatre during the French Revolution


    Francesca Donnelly, The representation of the clergy in revolutionary theatre, with particular reference to Charles IX ou l'École des Rois, Fénélon, ou les Religieuses de Cambrai, Le Couvent ou les Voeux forcées and Le Prélat d’autrefois ou Sophie et Saint-Elme Le Prélat d’autrefois ou Sophie et Saint-Elme
     

    Rosalyn Harvey, Theatre and society in Napoleonic France

    Mike Mackenzie, Ideology in French Revolutionary theatre, with particular reference to Maréchal, Chénier, and Laya.

    Contact us

    Tel: + 44 (0) 24 76 52 30 13
    email: frenchstudies@warwick.ac.uk

    Close this email form
    Page contact: Katherine Astbury Last revised: Wed 14 Sep 2011
    • Sign in
    • |
    • Powered by Sitebuilder
    • |
    • © MMXII
    • |
    • Privacy
    • |
    • Accessibility