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Sat, Sep 17, '16
10:30am - 5:30pm
You are warmly invited to hear what the members of the Amateur Drama Research project have been doing, and to discuss amateur theatre. The day will take the form of short talks, brief performances, exhibitions, workshops about archiving and documenting theatre, and roundtable discussions. We are delighted that we will be joined by the following speakers:
Lyn Gardner, theatre critic at The Guardian
Ian Wainwright, Royal Shakespeare Company’s producer of Dream16 and Open Stages
Simon Sladen, Senior Curator in Modern and Contemporary Performance at the Victoria and Albert Museum
Tamara von Werthern, Nick Hern Books
And leading members of the amateur theatre… including a brief performance by theRoyal Navy Theatre Association
The event is free, but registration is essential. It’s at Royal Holloway, University of London – not far from Windsor (Egham)Further information and registration can be found here:
Find out more about the projects here: http://amateurdramaresearch.com/
Wed, Oct 12, '16
4:30pm - 6pm
Dave Calvert - 'Negative Dialectics and the work of learning disabled performers'
Matt Hargrave - ‘Dance with a Stranger: Torque Show’s Intimacy (2014) and the experience of vulnerability in performance and spectatorship’
Wed, Nov 2, '16
5:15pm - 7pm
Mon, Feb 6, '17
10am - 3:30pm
What is the legacy and current potential of the Cultural Left to ‘perform the possibility that the world can be otherwise’? This workshop is part of the British Academy funded International Partnership and Mobility project between the University of Warwick and JNU. It is interested in comparative cross-national and cross-disciplinary understandings of what constitutes a Left cultural practice in opposition to capitalist ideology and the rise of the right, and also as a means of critique within the Left itself, in the past and in the present.
10.00 am – 10.15 Gathering/ Coffee
10.15- 10.30– Introduction of the project (Dr Silvija Jestrovic)
10.30 – 11.45 Panel I Affective Legacies of the Left
Dr Illan rua Wall (School of Law, University of Warwick): Our Revolting Mood
Dr Anna Hajkova (History, University of Warwick): Oranges, Donkeys, Communism: The transnational legacies of the Czechoslovak Interbrigadists
11:45 – 13.15 Panel II Spaces of Dissent
Chair: Dr Susan Headacke (Theatre Studies, University of Warwick)
Dr Swati Arora (Theatre Studies, University of Exeter): Scarred Geographies: Jana Natya Manch at ‘biyaasi number’ in Delhi
Dr Benjamin Smith (History, University of Warwick): From Choirboy to Guerrilla: Mario Menéndez and the Rise of Radical Journalism in Mexico, 1960-1974
13.15 – 14.00 Lunch
14.00 -15.30 Discussion: Between Theory and Practice: How to ‘perform the possibility that the world could be otherwise?
Chair: Prof. Shirin Rai (PAIS) & Dr Milija Gluhovic (Theatre) –Politics and Performance Network
Wed, Feb 8, '17
5:15pm - 6:30pm
This term's Millburn Seminar speaker will be Prof. Jane Rendell, who is Professor of Architecture and Art at the Bartlett School, University College London. She will give a talk that looks at transititional spaces in architecture and psychoanalysis entitled 'May Mo(u)rn: A Site Writing '.
This talk will be conducted in the experimental and interdisciplinary spirit of her ongoing ‘site-writing’ project, ‘which generates spatial and textual processes of art and architectural criticism out of psychoanalytic positions and modes of operation’.
The Millburn Seminar is a series of interdisciplinary speakers, run by the School of Theatre and Performance Studies, Dept. of Film and Television Studies, and the Dept. of History of Art, and supported by the Humanities Research Centre.
Wed, Mar 8, '17
4:30pm - 6pm
Carolyn Deby - Choreographing audience experience: being permeable, in the world
The question of how to get inside of (and create meaning from) the moment-to-moment of a lived experience in time–space is at the core of my practice as sirenscrossing. This paper will introduce sirenscrossing’s approach to choreographing ‘audience experience’ as an assemblage of flows, convergence, and being, sited within the urban–wild, by which I mean a continuous field where the urban and the wild are mutually manifest, indistinct, and utterly entangled. sirenscrossing’s approach to audience experience will be articulated in relation to a turn in theatre/performance, from the late 20th Century until now, towards a more active spectator, with a particular emphasis on sensory experience, attention to site, and social engagement. Amongst other things, Lavender (2016), Alston (2016), and Machon (2011) identify an increased tendency towards hybrid forms of performance where several art forms might be employed, the boundaries between them ignored or blurred. Alston’s emphasis on ‘immersive’ theatre as a reflection of neoliberal and capitalist values will be considered. Of relevance will be Machon’s articulation of a particular sort of performance work as (syn)aesthetics, a term “which defines and embraces fused corporeal and cerebral experiences” (2011, p. 4). White’s (2012; 2013) consideration of ‘immersive theatre’ specifically in relation to audience participation and the ‘invitation’ will be cited, alongside Lavery and Williams’ interview with Lone Twin (2011). The paper will itself be framed as an experience or container for possible meanings in relation to the context within which it is presented. Meaning will emerge via an experiential, verbal and non-verbal collage.
Nicolas Whybrow - Folkestone perennial: the enduring work of art in the reconstitution of place
Ostensibly contemporary art biennials seek to engage with the places that host them, yet frequently they are viewed critically as elitist ‘art world’ events that are disconnected from their localities. The aim of this paper is to establish how public art works in a given context, both as part of a format prescribed by the art event and in its potential to intersect with the intricate, contingent and varied constellation of the urban location in question. It addresses this central tension by examining the case of Folkestone, a town on the south Kent coast in the UK that once enjoyed a thriving identity as both seaside resort and gateway to Europe. From the 1960s onwards a gradual decline set in with the advent of mass global travel, culminating in the deathblow that was dealt by the nearby Eurotunnel’s inauguration towards century’s end, which signalled the end of the town’s ferry link to the continental mainland. A concerted attempt has been underway for a decade now to revitalise the town using the arts, creative industries and education as the drivers of regeneration. One of the main initiatives in this endeavour was the introduction in 2008 of the Folkestone Triennial, a three-month summer event in which high-profile international artists were commissioned to produce sited artworks for the town, turning it into a form of urban gallery. With successive Triennials occurring in 2011 and 2014, and several works from all three being retained as permanent acquisitions, this paper takes stock of the impact of these artistic engagements with the town, showing how, as an ensemble, they interact with one another and asking whether they have the capacity to contribute to a reconstituted identity for Folkestone in an integrated and lasting way. Artworks considered include interventions by Christina Iglesias, Tim Etchells, Mark Wallinger, Richard Wentworth and Michael Sailstorfer.
Wed, Apr 26, '17
9:30am - 4:45pm
Sky Blues City: Imagining a Sustainable Cultural Future for Coventry
26th April, 2017. The Helen Martin Studio, University of Warwick
A one-day event aimed at exploring new collaborative research opportunities arising from the UK City of Culture bid and the Ten Year Cultural Strategy.
To find out more about the event, and to register for a place, CLICK HERE.
Convenor and facilitator:
Dr Nicolas Whybrow, Department of Theatre and Performance Studies, University of Warwick
09.30 Vice Chancellor’s Welcome
Professor Stuart Croft, University of Warwick
Professor John Latham, Coventry University
09.40 Coventry UK City of Culture bid & 10-year cultural strategy
Professor Jonothan Neelands, Warwick Business School and Warwick Creative Exchange, University of Warwick
Professor Neil Forbes, Associate Dean for Research in the Faculty of Arts and Humanities, Coventry University
10.00 Panel Presentations: Sensing the City: a practice-based case-study of Coventry
Dr Natalie Garrett Brown and Dr Emma Meehan, Centre for Dance Research (C-DaRE), Coventry University
Dr Michael Pigott, Film and TV Studies, University of Warwick
Carolyn Deby, artist director sirenscrossing and PhD student, Theatre and Performance Studies, University of Warwick
11.00 Refreshment break
11.15 Panel Presentations: Diversity in Coventry
The legacy of the city of culture – community relations – the role of arts and culture in community development
Sinead Ouillon, Programme Leader, The City University Initiative, Coventry University and
Dr Chris Shannahan, Centre for Trust, Peace and Social Relations, Coventry University
Siberia and Us: Polish exilic memory and second generation artistic strategies
Adrian Palka, School of Media and Performing Arts, Coventry University
Does an ecosystem approach help to understand and reflect the diversity and values of the creative and cultural sector?
Victoria Barker, PhD student, Centre for Business in Society, Coventry University
13.30 Keynote: Research Opportunities in the UK City of Culture 2017 and Beyond
Professor Franco Bianchini, Culture, Place and Policy Institute, University of Hull
14.15 Panel Presentations: Social value and impact
Live Art. Collision. Hyperlocal. Supernow: Birmingham’s Fierce Festival
Dr Cath Lambert, Sociology, University of Warwick
Working with communities - deepening the engagement or extending the procession?
Justine Themen, Associate Director, Belgrade Theatre
Urban Cultural Intermediaries: the 'Students and the City' project
Dr Jonathan Vickery, Centre for Cultural Policy Studies, University of Warwick
15.15 Panel Presentations: Urban engagements
Vehicles of Communication: The Cart and other rolling conversations
Janet Vaughan, artist, Talking Birds and Rachel Dickinson, Warwick Business School, University of Warwick
Bringing back the Sensorama: multi-sensory virtual reality
Dr Sarah Jones, School of Media and Performing Arts, Coventry University
Breakfast Elsewhere Project, Coventry
Carmen Wong, PhD student, Theatre and Performance Studies, University of Warwick
16.00 Informal Conversations: Next steps and calls to action over afternoon tea
Wed, May 24, '17
5:15pm - 6:30pm
Mon, Jun 5, '17
Runs from Monday, June 05 to Tuesday, June 06.
On the anniversary of the October Revolution, questions of the Left have been re-emerging as timely and urgent. This colloquium explores how to live and do Leftist politics in response to injustices of our own time.
After workshops at Warwick (UK) and JNU (India) earlier this year, British Academy Partnership project Cultures of the Left: Manifestations and Performances gathers again for a series of talks and discussions, asking: How can the cultural and ethical legacy of the Left inspire political resistance under neoliberalism? How does cultural Left imagine and perform new ways of doing Left politics to integrate a range of issues (i.e. immigration, nationalism, gender, etc.)? Can performances and manifestations of the cultural Left be explored as means of rethinking the structure of Leftist political organisation and mobilisation in a global context?
(room G 50)
10am -10.15am Welcome (Dr Silvija Jestrovic)
10.15am – 11.15 am Keynote: Dr Ameet Parasvaram (JNU),
Performance and Affective Excess: Locating the Political under Neoliberalism
Chair/respondent: Prof. Shirin Rai (PAIS, Warwick)
11.30am – 1pm Interventions: Between Legacy and Action
Prof. Janelle Reinelt (Theatre & Performance Studies, Warwick) '"San Francisco" and the Cultural Left: A Research Agenda'
Prof. Andy Lavender (Theatre & Performance Studies, Warwick) Permission to speak (and act): populist vigilantism, the popular right and the performance of nationalism
Chair/ respondent: Dr Urmimala Sarkar (Theatre & Performance, JNU)
2pm – 4pm Forms, Sites and Bodies of Resistance
Prof Samik Bandyopadhyay (Theatre, JNU) The Leftist Intellectual: Prison Lives and Letters
Dr Anna Hájková (History, Warwick) The Communist Party in Terezín, 1941-1945
Prof Anupama Roy (Centre for Political Studies, JNU)
The ‘Hunger Artists’: Hunger Fasts and Insurgent Citizenship
Chair/ Respondent: Dr Milija Gluhovic (Theatre & Performance, Warwick)
4 pm – 4.15 pm Coffee/Tea Break
4.15 – 5pm Worksites of the Left: Discussion (all participants)
Chairs: Dr Susan Haedicke (Theatre & Performance, Warwick) and Prof. Virinder Kalra (Sociology, Warwick)
(Room G 52)
10am –11 am Keynote Dr Igor Štiks (Edinburgh College of Art, University of Edinburgh)
Activist Aesthetics: Resistance and Rebellion in the Post-Socialist Balkans
Respondent/ Cahir Dr Trina Neelina Banerjee (Centre for Studies in Social Sciences, Calcutta)
11 am – 11.15am Break
11.15 – 12.45 Love, Affect and A-Affect
Dr Mallarika Sinha Roy (Women Studies, JNU) The Lovers’ Manifesto: Romance and Revolution in the Leftist Cultures of Bengal
Prof. Elaine Aston (Lancaster University) Enter Stage Left: ‘Recognition’, ‘Redistribution’ and the A-Affect
Chair/ respondent: Dr Maria Estrada Fuentes (IAS, Warwick)
12.45 – 1.30 Lunch
1.30 – 3pm Revolutionary Atmospheres and the Poetics of Truth
Dr Brahm Prakash (JNU) Let’s Become Strangers Once Again: Left Poets in Search of Truths and Ideals
Dr Illan Rua Wall (Law, Warwick) Our Revolting Mood
Chair/ Respondent PhD candidate, Aashta Gandhi (JNU)
3pm – 3.30pm Summary, Reflections and Further Questions Prof. Bishnuprya Dutt (JNU)