Erasmus Mundus MA in International Performance Research

MAIPR

MAIPR 09-10 student dissertation abstracts

 

BRUBACHER Erin: Performing Invitations for Nomadic Inquiry: Learning to Seek (in a City)

BURLA Venkata Naresh: The Secular Playhouse of Natyasastra: An Investigation of Possibilities and Problems in Playhouse Design and Reconstruction

DE LA VEGA WOOD Diego: 'Safe Ports for Trust': Listening Being to Re-Enchant the World

DI PECO Martín: A Quest for Space. Competition and Collaboration in Participative Game Design

DUFFY Sarah: Still Standing: Projects on the Peaceline

ESPI-SANCHIS Sarah: Lens-based Performance in Post-apartheid South

ESTRADA FUENTES María: Performing Memory: Mourning the Colombian Armed Conflict

GIBSON Nicholas: Hacktivism and Performance: Creative acts of intervention in online spaces; “The hack” as a political, social and artistic tool in the work of Anonymous, Stelarc and ZeFrank

HOPKINS Justin B: Abstract and Brief Chronicles: Creative and Critical Curation of Performance

MAXWELL Jessica: Towards a Romani Movement: Theatre, Mobilization & Vulnerable Homes in the Expanding European Union

SHIN Min Kyong: Identity on the Move: Diaspora Artists in Europe

LAMPO Marjukka: A Gamelike Performance – Exploring the Gaming Process and the Ecology of Live Action Role-Playing Games

LIU Ruirui: Cultural Policy in the People’s Republic of China: the Case of National Centre for the Performing Arts in Beijing

PAUNOVIC Nevena: Ecology of Chorus

TOSUN Nese Ceren Tosun: Manifestations of Relational Artist Practices: Dwelling Oda Projesi and Nomading Julie Upmeyer as differing modes of participatory engagements

YANG, Ian (Yang): Lost and Becoming: A Study of Contemporary Chinese Cultural and Artistic Products with Historical Longing

ZHOU Xiaolu: From Exotic Princess to Cultural Ambassador: A study of Turandot as Cross-Cultural Performance
Page contact: Lindzey Mullard Last revised: Thu 31 Mar 2011
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