Professor of Theatre and Performance
Tel: +44 (0)24 765 22878
Room G25, Millburn House
University of Warwick
Coventry, CV4 7HS
Nadine Holdsworth joined the department at Warwick in 2000 and served as Head of Department from 2009-2014. Whilst at Warwick Nadine has designed modules that address her interests in twentieth and twenty-first century political theatres and contemporary theatre and theories of identity, particularly in relation to nation, gender, ethnicity and globalization. She also supervises students undertaking practical projects, research topics and MA and PhD research.
Nadine's recent publications include Theatre and National Identity: Re-Imagining Conceptions of Nation (Routledge, 2014) Joan Littlewood’s Theatre (CUP, 2011), Theatre & Nation (Palgrave 2010) and a special issue of Contemporary Theatre Review, 'Theatre, Performance and the Amateur Turn' co-edited with Jane Milling and Helen Nicholson. She is currently co-writing a monograph on The Ecologies of Amateur Theatre, an outcome of the AHRC-funded project Amateur Dramatics: Crafting Communities in Time and Space and developing a monograph on British theatre and social abjection.
Nadine's research has two distinct, but sometimes interconnected strands in Twentieth Century popular theatre practitioners and theatre and national identities in England, Scotland, Wales and Northern Ireland. She has conducted a significant amount of research on John McGrath and edited Naked Thoughts that Roam About (Nick Hern, 2002), a selection of McGrath's writings on theatre that was shortlisted for the 2002 Theatre Book Prize, and edited and introduced a collection of McGrath's plays in Plays for England (Exeter University Press, 2005).
Nadine has also researched the theatre, creative processes and community activism of the theatre director Joan Littlewood. She published Joan Littlewood as part of the Routledge Performance Practitioners Series in 2006 and Cambridge University Press published Joan Littlewood's Theatre in 2011. This book was the culmination of a substantial period of AHRC-funded research and draws on research in theatre/performance studies, ethics, citizenship, cultural democracy, space, community, class and culture to explore various strands of Littlewood's work including her anti-war plays, the Fun Palace project and her playground schemes with children in the East End of London. Nadine has also published work on Littlewood and Theatre Workshop in the journals New Theatre Quarterly and Research in Drama Education.
Nadine's interest in theatre and national identities has resulted in Theatre and National Identity: Re-Imagining Conceptions of Nation (Routledge, 2014), Theatre & Nation (Palgrave, 2010) for the Palgrave Theatre& series and several essays on modern and contemporary Scottish and Northern Irish theatre that have been published in journals and edited collections including Contemporary Theatre Review (2003), The Cambridge History of British Theatre Vol. 3 (Cambridge University Press, 2004) and Cool Britannia: Political Theatre in the 1990s (Palgrave, 2007). She also co-edited A Concise Companion to Contemporary British and Irish Theatre (Blackwell, 2008).
Nadine currently serves on the AHRC Peer Review College and is on the Advisory Boards for Contemporary Theatre Review, the International Journal of Scottish Theatre and Screen and is a Contributory Editor for New Theatre Quarterly.
Teaching and supervision in 2016/17
Post-War British Theatre and Social Abjection (spring term)
Theatre and National Identities (full year)
From Text to Performance (convenor)
Independent Research Option
Deputy Chair of the Arts Faculty (16/17)
Director of Research for Theatre and Performance (16/17)
Research Seminar Series Co-ordinator for Theatre and Performance (2016/17)
Monographs and edited books
2017 co-edited special issue of of Contemporary Theatre Review, 'Theatre, Performance and the Amateur Turn' with Jane Milling and Helen Nicholson, Vol. 27, No 12014 Theatre and National Identity: Re-Imagining Conceptions of Nation, Routledge, 227 pages 2014 European Theatre Performance Practice, 1900 to the Present (co-editor with Geoff Willcocks), Ashgate 2011 Joan Littlewood’s Theatre, Cambridge: Cambridge University Press, 323 pages 2010 Theatre & Nation, Basingstoke: Palgrave, 88 pages
2008 A Companion to Contemporary British and Irish Drama (co-editor with Mary Luckhurst), Oxford: Blackwells, 295 pages
2006 Joan Littlewood, London: Routledge, 154 pages
2005 John McGrath’s Plays for England, Exeter: Exeter University Press, 340 pages
2002 Naked Thoughts That Roam About: Reflections on Theatre by John McGrath, Nick Hern Books, 259 pages (Shortlisted for Society for Theatre Research Book Prize 2002)
2016 'These Green and Pleasant Lands': Travellers, Gypsies and the Lament for England in Jez Butterworth's Jerusalem, Twenty-First Century Drama: What Happens Now, ed. by Sian Adiseshiah and Louise LePage, Basingstoke: Palgrave, pp. 175-190
2014 ‘Over and Beyond Under Milk Wood: Dylan Thomas, National icons and Re-Imagining the Cultural landscape of Wales’, Theatre and National Identities, ed. by Nadine Holdsworth, New York: Routledge, pp. 41-57
2014 ‘Citizenship, Cardboard Citizens and The Ethics of Inclusion’, Performance Studies: Key Words, Concepts and Theories, edited by Bryan Reynolds, Basingstoke: Palgrave, pp. 133-140
2014 ‘John McGrath’ 50 Modern and Contemporary Dramatists, ed. by Maggie Gale and John Deeney, Routledge, pp. 155-160
2013 ‘David Greig’, Modern British Playwriting: 2000-2009, edited by Dan Rebellato, London: Bloomsbury Methuen, pp. 169-189
2008 ‘The Landscape of Contemporary Scottish Drama: Place, Politics and Identity’ in Nadine Holdsworth and Mary Luckhurst, eds. A Companion to Contemporary British and Irish Drama, Oxford: Blackwells, pp. 125-145
2016 'Performing Place, Heritage and Henry V in Portsmouth Historic Dockyard' Contemporary Theatre Review, Vol. 26, No. 2, pp. 196-210
2014 ‘This blessed plot, this earth, this realm: Staging Treatments of Riots in Recent British Theatre’, Journal of Contemporary Drama in English, Vol. 2, No 1, pp. 78-96
2013 ‘Boys Don’t Do Dance Do They?’ Research in Drama Education, Vol. 18, No. 2, pp. 168-173
2007 ‘Spaces to play/playing with spaces: young people, citizenship and Joan Littlewood, Research in Drama Education, Vol. 12, No. 3, pp.293-304
- Serves on the AHRC Peer Review College.
- Advisory Board: Contemporary Theatre Review, the International Journal of Scottish Theatre and Screen.
- Contributory Editor: New Theatre Quarterly.
- Member of the Standing Conference of University Drama Departments (SCUDD).
- Member of the Theatre and Performance Research Association (TaPRA).
- Member of the International Federation of Theatre Research (IFTR).
- PhD (Loughborough)
- BA (Loughborough)