Naomi Klein was announced last night (Tuesday 24 February, 2009) as the winner of the first £50, 000 Warwick Prize for Writing.
The unique new prize, run and self-funded by the University of Warwick, stands out as an international cross-disciplinary biennial award open to any genre or form of writing.
Canadian journalist Klein’s winning book The Shock Doctrine (Penguin) was chosen from a diverse shortlist of six international titles. This year’s prize theme of ‘Complexity’ was interpreted differently by each writer, all experts in their genres, and ranged from music criticism and scientific theory to Spanish fiction.
Chair judge China Miéville, award-winning author of fantasy fiction, announced the winner at a ceremony at the University of Warwick. Miéville said:
''Every book on the shortlist was exceptional, but of course it had, ultimately, to come down to one. Naomi Klein's The Shock Doctrine is a brilliant, provocative, outstandingly written investigation into some of the great outrages of our time. It has started many debates, and will start many more, and we're delighted to award it the first Warwick Prize for Writing.”
Klein’s The Shock Doctrine is based on breakthrough historical research and four years of on-the-ground reporting. Using detailed case studies from around the world, Klein charts the rise of disaster capitalism where moments of collective crisis – 9/11 and Hurricane Katrina for example – are exploited by global corporations to usher in radical social and economic change.
David Morley, Director of the Warwick Prize for Writing, comments: “Prizes are important. They offer a beckoning point to a writer. They set the tone of a writer’s progress in the world. The best books defy categorisation. I am therefore delighted that Naomi Klein’s The Shock Doctrine has won the inaugural Warwick Prize for Writing. It is important to recognise her achievement with a prize of international calibre.”
The University of Warwick's Vice-Chancellor, Professor Nigel Thrift, said: "I am delighted, that in its very first year, the Warwick Prize for Writing has attracted such an international spread of nominated and short listed publications. This reflects the University of Warwick's own global outlook and the international diversity of its staff and students. I offer my congratulations to Naomi Klein and hope that she will be able to spend a short time with us as one of the many leading international researchers and writers who elect to spend a period at Warwick as a visiting fellow."
Joining Miéville on this year’s judging panel was journalist Maya Jaggi; novelist, translator and academic Maureen Freely; Britain’s first book blogger Stephen Mitchelmore and University of Warwick mathematician Professor Ian Stewart.
The theme of ‘Colour’ was also announced last night for the 2011 Warwick Prize for Writing.
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For further information on The Warwick Prize for Writing please contact:
Elise Oliver or Ruth Cairns at Colman Getty
Tel: 020 7631 2666 Fax: 020 7631 2699
Email: firstname.lastname@example.org or email@example.com
For further information on the University of Warwick please contact:
Peter Dunn, Press and Media Relations Manager at the University of Warwick
Tel: 02476 523708 or 07767 655860
Notes to Editors
The University of Warwick is one of the UK’s leading research universities. Consistently ranked in the top 10 of all the University league tables produced by UK national newspapers and ranked 7th among the UK's 100 universities for quality of research (Funding Councils' Research Assessment Exercise, 2008)
The £50,000 Warwick Prize is entirely self-funded by the University of Warwick. The University is able to make such an investment as it generates 63% of its own income
In addition to the £50,000 monetary prize, the winning author will be awarded the opportunity to take up a short placement at the University of Warwick
The Warwick Prize for Writing is an innovative new literature prize that involves global competition, and crosses all disciplines. The Prize will be given biennially for an excellent and substantial piece of writing in the English language, in any genre or form, on a theme which will change with every award