Emeritus Professor Louise Campbell will be giving a paper on Sussex University on 15 June at the Oxford Brookes conference 'Architecture Citizenship Space: British Architecture from the 1920s to the 1970s', The paper is entiltled "'A background sympathetic to young and energetic minds’: forming modern citizens at the University of Sussex'".
Nigel Grimwade, who has died at the age of 85, worked in the Spence practice during its heyday in the 1960s. He studied first at Cheltenham College of Art and then at the Architectural Association in London. It was via his friendship with Gordon Collins at the AA that Grimwade came to work for Basil Spence in 1960.
Grimwade worked first at the Canonbury atelier and then at 1 Fitzroy Square, where he and Francis MacKenzie assisted Gordon Collins in realising the first buildings at the new University of Sussex, namely Falmer House, the Physics Building and the Biology Building. After Sussex, he worked with Collins and Francis MacKenzie on the design of the Salters Hall in the City of London.
A very modest man but at the same time lively, engaging and of great personal charm, Grimwade took part in the 2008 conference Sir Basil Spence re-viewed: the architect and his office. He gave generously of his time to describe the way in which Modular Concrete (a division of Wates) set up a casting yard on site to make the thin vaults and curved edge beams which gave the buildings of the first phase of Sussex University a distinctive architectural character and superb standards of finish. This amounted to an almost craftsman-like approach to concrete. Grimwade also underlined the role of Collins at Sussex and the importance of the Spence Bonnington & Collins office in bringing to completion the teaching buildings at Sussex, Southampton and Exeter University. These insights enriched the AHRC team’s understanding of the overall organisation of the Spence practice and helped to inform the chapters about the history of the office and about English university design in our book Basil Spence buildings and projects.
After Collins’ retirement in 1972, and Jack Bonnington’s move to Tyttenhanger House, Grimwade left the practice. Latterly he worked for the Brown Matthews Partnership in Warwick, where among other projects he was responsible for detailing the new Cathedral Library at York Minster.
He was a keen photographer, and in 2008 produced a box of slides documenting the early stages of building Sussex University, and an office outing to Spence’s weekend house at Beaulieu in the 1960s. These will eventually be passed to the Sussex Special Collections and RCAHMS.
English Heritage has just added the churches of St John Willenhall and St Chad Wood End to its listed buildings register. With the recent listing of St Oswald Tile Hill (added to list in October 2014) this means that all of Basil Spence’s churches in Coventry are now protected. They were nominated by Louise Campbell, supported by the Twentieth Century Society.
For more images see the project Image Collection.
The Swiss Cottage Library in north London (Spence, Bonnington and Collins) was opened 50 years ago. It was planned as part of a large complex which included a swimming pool (now demolished ). A later, more ambitious scheme for Camden Council comprised a civic and cultural centre and a hotel (see David Walker's essay on Civic Centres).
Jack Bonnington, who played a major role in its design, and David Walker, who researched the project for of the Basil Spence AHRC research project, spoke at an event organised at the Library on 12 November. An exhibition to mark the anniversary was displayed in the Library last year.
Geoffrey Clarke died on 30 October.
Clarke was one of the youngest of the talented team of artists who worked at Coventry Cathedral (Patrick Reyntiens is now the sole survivor). Clarke designed three of the nave windows, the high altar cross and candleholders, the canopy in the Guild Chapel and the flying cross on the fleche of the new Cathedral. He was one of Spence's favorite sculptors and produced magnifient site-specific sculptures for many of his other buildings, namely Thorn House, the Physics buildings at Liverpool, Newcastle and Exeter University, and Spence's own house at Beaulieu.'
An obituary by Charles Darwent for The Guardian newspaper can be viewed here.
English cathedrals and monasteries through the centuries: an interactive DVD-ROM produced by University of York/English Heritage in 2013 contains contributions by Louise Campbell on the new Coventry Cathedral and Sarah Walford on 20th-century cathedral architecture.
Roland Paoletti died in November 2013 at the age of 82. He worked for Basil Spence as an assistant in 1958-9 and again in 1963-70, helping with designs for Sussex University and the British Embassy in Rome.
The long interview he gave to Louise Campbell and Miles Glendinning in 2006 helped to inform Glendinning's chapter on the Rome Embassy in Basil Spence Buildings and Projects.
Andrew Saint's obituary of Paoletti for the Guardian was published on 21 December.
Louise Campbell will be giving the keynote lecture at this Twentieth Century Society/DOCOMO conference in London on 30th November 2013. The title of the lecture is From Coventry to Canterbury: raids, ruins, politics, pilgrims.
Basil Spence: buildings and projects ed. L.Campbell, M.Glendinning and J. Thomas (RIBA Publishing 2012) was recently shortlisted for two prestigious book prizes: The Society of Architectural Historians of Great Britain's Alice David Hitchcock Medallion, 2012, for an outstanding contribution to the literature of architectural history, and the William MB Berger Prize for British Art History, 2013.
The Berger prize judges described it as follows:...
'This elegantly produced book is hugely impressive and to the point, filling in much invaluable material and making sense of 20th-century Modernism in Britain and the place of Spence within it. An example to all of how to combine several contributions into a whole, that was the product of a vast amount of research.'