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Bibliography

movie

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(1959) "Petit Journal du Cinéma: Hawksienne Albion" [Letter], Cahiers du Cinéma, No. 100, 38.

(1960) "Fifty Famous Films, 1914-45", Oxford Opinion, No. 38, 36–7.

(1960) "Nicholas Ray", Oxford Opinion, No. 40, 31–4.

(1960) "Charm and Blood", Oxford Opinion, No. 42, 34-5.

(1960) "Commitment in Films" (with Ian Cameron and Mark Shivas), The Spectator, 14 October, 561.

(1961) "Joseph Losey on The Criminal" (with Ian Cameron and Mark Shivas), Oxford Opinion/Granta (Joint issue), No. 45, 27-30.

(1962) "The British Cinema" (on behalf on the editorial board), Movie, No. 1, 2 - 7.

(1962) "Barabbas: A Discussion" (with Ian Cameron, Mark Shivas and Gavin Millar), Movie, No. 1, 25 - 27.

(1962) "King of Kings”, Movie, No. 1, 29 -30.

(1962) "Man with the Golden Arm", Movie, No. 2, 20.

(1962) "Merrill's Marauders", Movie, No. 2, 32.

(1962) "River of No Return", Movie, No. 2, 18 - 19.

(1962) "Why Preminger?", Movie, No. 2, 11.

(1962) "Underworld, USA", Movie, No. 3, 8-9. Reprinted in Samuel Fuller, David Will and Peter Wollen (eds) (Edinburgh: Edinburgh Film Festival, 1969).

(1962) "Clive Donner and Some People", Movie, No. 3, 22 - 25.

(1962) "George Stevens' Giant", Movie, No. 4, 31 - 33.

(1962) "Hatari!", Movie, No. 5, 28 - 30.

(1962) "Hawks's Comedies", Movie, No. 5, 21 - 22.

(1962) "Un-American Activities”, Movie, No. 5, 3 - 6.

(1963) "An Interview with Alfred Hitchcock" (with Ian Cameron), Movie, No. 6, 4 - 7.

(1963) "Censorship", Movie, No. 6, 16.

(1963) "Rope", Movie, No. 7, 11 - 13.

(1963) "Movie Differences: A Discussion", Movie, No. 8, 28 – 34.

(1963) "The Cinema of Nicholas Ray", Movie, No. 9, 4 - 10.

(1963) “An Interview with Nicholas Ray” (with Adriano Apra, Barry Boys, Ian Cameron, Jose Luis Guarner and Paul Mayersberg), Movie, No. 9, 14 - 25.

(1963) "55 Days at Peking", Movie, No. 11, 4 - 6.

(1963) "Movie vs. Kael", [Letter] (with Ian Cameron, Mark Shivas, Paul Mayersberg), Film Quarterly, 17:1, 57-62.

(1963) "Interview with King Vidor" (with Mark Shivas), Movie, No. 11, 7 - 11.

(1965) "Cheyenne Autumn", Movie, No. 12, 36 - 37.

(1965) “Richard Brooks interview” (with Ian Cameron, Mark Shiva and Paul Mayersberg), Movie, No. 12, 2 - 9.

(1968) "Forced to be Free or Doing Business in Great Art", Movie, No. 15, 17 - 19.

(1968-9) "Supporting the British Cinema", Movie No. 16, 13 - 15.

(1969) "Vivre Sa Vie" in Ian Cameron (ed.) The Films of Jean-Luc Godard, London: Studio Vista, 32–9.

(1971) "America, America", Movie, No. 19, 35 - 38.

(1972) Film as Film: Understanding and Judging Movies, London: Penguin.

(1972-3) "A Reply to Sam Rohdie", Screen, Vol. 13, No. 4, 146–151.

(1975) "The Return of Movie" (with Ian Cameron, Michael Walker, Jim Hillier and Robin Wood), Movie, No. 20, 1 - 26.

(1975) "The Making of a Television Series: Upstairs, Downstairs "(with Charles Barr and Jim Hillier), Movie, No. 20, 46 - 63.

(1977) "Writing for Television: An Interview with E. A. Whitehead" (with Douglas Pye), Movie, No. 25, 58 - 64.

(1981) "Moments of Choice", The Movie, 58, 1141-5. Republished in Rouge: http://www.rouge.com.au/9/moments_choice.html.

(1982) "Letter from an Unknown Woman (On the Linz Sequence)" in Movie, No. 29/30, 61 - 72.

(1982) "Lola Montes Discussion " (with Andrew Britton, Ian Cameron, Douglas Pye, Michael Walker), Movie, No. 29/30, 108-121.

(1990) "Film Authorship: The Premature Burial" in CineAction, No. 20/21, 57-64.

(1990) "Must We Say What We Mean?: Film Criticism and Interpretation" in Movie, No. 34, 1 - 6.

(1992) "The Atlantic Divide" in Richard Dyer and Ginette Vincendeau (eds.), Popular European Cinema, London: Routledge, 194–205.

(1992) "In a Lonely Place" in Ian Cameron (ed.), The Movie Book of Film Noir, London: Studio Vista, 222-31.

(1996) "Johnny Guitar" in Ian Cameron and Douglas Pye (eds.), The Movie Book of the Western, London: Studio Vista, 221-228.

(1999) The Magnificent Ambersons, London: British Film Institute.

(2000) "I Confess: Photographs of People Speaking", CineAction, No. 52, 28-39.

(2000) "Ophuls contra Wagner and Others", Movie, No. 36, 73 - 79.

(2000) "'Same Tune Again!': Repetition and Framing in Letter from an Unknown Woman" in CineAction, No. 52, 40–8. Republished in 16-9: http://www.16-9.dk/2003-09/side11_inenglish.htm

(2004) [On the Klosterkirche Chandelier], Rouge, 5: http://www.rouge.com.au/5/perkins.html.

(2005) “Where is the World? The Horizon of Events in Movie Fiction” in John Gibbs and Douglas Pye (eds), Style and Meaning: Studies in the Detailed Analysis of Film, Manchester: Manchester University Press, 16-41.

(2009) Le Plaisir: ‘The Mask’ and ‘The Model’", Film Quarterly, Vol. 63, No. 1, 15 - 22. Online: http://www.filmquarterly.org/2009/09/le-plaisir-the-mask-and-the-model/.

(2009) “Le Plaisir: ‘La Maison Tellier’”, Film Quarterly, Vol. 63, No. 2, 66 – 71.

(2010) “Ian Cameron: a Tribute”, Movie: A Journal of Film Criticism, Issue 1: http://www2.warwick.ac.uk/fac/arts/film/movie/contents/ian_cameron_-_a_tribute.pdf.

(2011) You Only Live Once”, Movie: A Journal of Film Criticism, Issue 3, 2011: http://www2.warwick.ac.uk/fac/arts/film/movie/contents/you_only_live_once_final_3.pdf.

(2011) “Scarlet, No Empress” [on Lola Montes], Film Quarterly, Vol. 65, No. 2, 28-31.

(2012) La Règle du Jeu, London: Palgrave. Sample chapter: https://he.palgrave.com/resources/sample-chapters/9780851709659_sample.pdf.

(2013) “Acting on Objects: 1. Stella Dallas (Stella and the Bow Tie); 2. Johnny Guitar (Emma and the Chandelier)”, The Cine-Files: A Scholarly Journal of Cinema Studies, 4: http://www.thecine-files.com/current-issue-2/guest-scholars/v-f-perkins/.

(2013) "La Règle du jeu: Lies, Truth, and Irresolution (A Critical Round Table)" (with Christopher Faulkner and Martin O'Shaughnessy), in Alastair Phillips and Ginette Vincendeau (eds.), A Companion to Jean Renoir, Oxford: Wiley-Blackwell, 144-165.

(Forthcoming) "Omission and Oversight in Close Reading: The Final Moments of Frederick Wiseman’s High School", in David LaRocca (ed), The Philosophy of Documentary Film, Lanham: Rowman & Littlefield.