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Further reading

General works on the French New Wave

De Baecque, Antoine, Les Cahiers du cinéma: Histoire d’une revue, Paris: Cahiers du cinéma, 1991.

De Baecque, Antoine, La Nouvelle Vague: Portrait d’une jeunesse, Paris: Flammarion, 1998.

Graham, Peter (ed.), The French New Wave: Critical Landmarks, London: BFI/Palgrave MacMillan, 2009.

Greene, Naomi, The French New Wave: A New Look, London: Wallflower, 2007.

Guilbault, Serge and John O'Brian (eds), Breathless Days: 1959-1960, Durham, NC: Duke University Press, 2017.

Hess, John, 'La Politique des auteurs, Part One: World View as Aesthetics', Jump Cut 1 (May-June, 1974): here.

Hess, John, 'La Politique des autuers, Part Two: Truffaut's Manifesto', Jump Cut 2 (July-August, 1974): here.

Hillier, Jim (ed.), Cahiers du cinéma, London: Routledge & Kegan Paul, 1986.

Jobs, Richard Ivan, Riding the New Wave: Youth and the Rejuvenation of France after the Second World War, Stanford: Stanford University Press, 2007.

Marie, Michel, La Nouvelle Vague: Une école artistique, Paris: Armand Colin, 2005.

Mary, Philippe, La Nouvelle Vague et le cinéma d’auteur: Socio-analyse d’une révolution artistique, Paris: Seuil, 2006.

McMahon, Orlene Denice, Listening to the French New Wave: The Film Music and Composers of Post-War French Art Cinema, Oxford: Peter Lang, 2014.

Monaco, James, The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette, New York: Oxford University Press, 1976.

Neupert, Richard, A History of the French New Wave Cinema, Madison: University of Wisconsin Press, 2007.

Ross, Kristin, Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture, Cambridge, MA: M.I.T. Press, 1995.

Sellier, Geneviève, Masculine Singular: French New Wave Cinema, Durham, NC: Duke University Press, 2008.

Tweedie, James, The Age of New Waves: Art Cinema and the Staging of Globalization, Oxford: Oxford University Press, 2013.

Works related to Et Dieu créa... la femme

De Beauvoir, Simone, Brigitte Bardot and the Lolita Syndrome, London: New English Library, 1962.

Conway, Kelley, 'Brigitte Bardot: From International Star to Fashion Icon', in Pamela Robertson Wojcik, Leslie Abramson and Cynthia Baron (eds), New Constellations: Movie Stars of the 1960s, New Brunswick, NJ: Rutgers University Press, 2012.

Leahy, Sarah, 'Bardot and Dance: Representing the Real?', French Cultural Studies 13.37 (2002): 49-64.

Leahy, Sarah, 'The Matter of Myth: Brigitte Bardot, Stardom and Sex', Studies in French Cinema 3.2 (2003): 71-81.

Schwartz, Vanessa R., It’s So French! Hollywood, Paris, and the Making of Cosmopolitan Film Culture, Chicago, University of Chicago Press, 2007.

Vincendeau, Ginette, Brigitte Bardot, London: Palgrave MacMillan, 2013.

On Louis Malle and Ascenseur pour l'échafaud

Dambre, Marc, ‘Ascenseur pour l’échafaud: An Exclusive Interview with Louis Malle’, South Central Review 23.2 (2006), pp. 12-21.

Frey, Hugo, Louis Malle, Manchester: Manchester University Press, 2004.

Nicholls, David, ‘Louis Malle’s Ascenseur pour l’échafaud and the Presence of the Colonial Wars in French Cinema’, French Cultural Studies 7.3 (1996), pp. 271-282.

Pejrolo, Andrea, ‘Transatlantic Interplays: The Origins of Miles Davis’s Modal Jazz in Ascenseur pour l’échafaud’, Atlantic Studies 3.1 (2006), pp. 63-82.

Southern, Nathan, The Films of Louis Malle: A Critical Analysis, Jefferson, NC: McFarland, 2006.

On François Truffaut

Andrew, Dudley and Anne Gillain, A Companion to François Truffaut, Chichester: Wiley-Blackwell, 2013.

Gillain, Anne (ed.), Le Cinéma selon François Truffaut, Paris: Flammarion, 1988.

Gillain, Anne, François Truffaut, le secret perdu, Paris: Hatier, 1991.

Holmes, Diana and Robert Ingram, François Truffaut, Manchester: Manchester University Press, 1998.

Le Berre, Carole, François Truffaut au travail, Paris: Cahiers du cinéma, 2004.

On Claude Chabrol

Austin, Guy, Claude Chabrol, Manchester: Manchester University Press, 1999.

Wood, Robin and Michael Walker, Claude Chabrol, London: Studio Vista, 1970.

On Jean-Luc Godard and À bout de souffle

Brody, Richard, Everything is Cinema: The Working Life of Jean-Luc Godard, New York: Metropolitan, 2008.

Conley, Tom and T. Jefferson Kline, A Companion to Jean-Luc Godard, Chichester: Wiley Blackwell, 2014.

Esquenazi, Jean-Pierre, Godard et la société française des années 1960, Paris: Armand Colin, 2004.

Fotiade, Romana, À bout de souffle, I. B. Tauris, 2013.

Morrey, Douglas, Jean-Luc Godard, Manchester: Manchester University Press, 2005.

Roud, Richard, Godard, London, Palgrave-MacMillan, 2010.

Silverman, Kaja and Harun Farocki, Speaking about Godard, New York: New York University Press, 1998.

Sterritt, David, The Films of Jean-Luc Godard: Seeing the Invisible, Cambridge: Cambridge University Press, 1999.

On Agnès Varda and Cléo de 5 à 7

Bénézet, Delphine, The Cinema of Agnès Varda: Resistance and Eclecticism, New York: Columbia University Press, 2014.

Conway, Kelley, Agnès Varda, Urbana: University of Illinois Press, 2015.

Flitterman-Lewis, Sandy, To Desire Differently: Feminism and the French Cinema, New York: Columbia University Press, 1996.

Neroni, Hilary, Feminist Film Theory and Cleo from 5 to 7, New York: Bloomsbury Academic, 2016.

Orpen, Valerie, Cléo de 5 à 7, London: I. B. Tauris, 2007.

Smith, Alison, Agnès Varda, Manchester: Manchester University Press, 1998.

Ungar, Steven, Cléo de 5 à 7, London: Palgrave-MacMillan, 1998.

Varda, Agnès, Varda par Agnès, Paris: Cahiers du cinéma, 1994.

On Jacques Rivette and Paris nous appartient

Lack, Roland-François, ‘Paris nous appartient: Reading without a Map’, Australian Journal of French Studies 47.2 (2010), pp. 133-145.

Morrey, Douglas, ‘To Describe a Labyrinth: Dialectics in Jacques Rivette’s Film Theory and Film Practice’, Film-Philosophy 16 (2012), pp. 30-54.

Morrey, Douglas and Alison Smith, Jacques Rivette, Manchester: Manchester University Press, 2009.

Watts, Philip, ‘Jacques Rivette’s Classical Illusion’, Contemporary French and Francophone Studies 9.3 (2005), pp. 291-299.

Wiles, Mary M., Jacques Rivette, Urbana: Illinois University Press, 2012.

On Jacques Demy and Les Parapluies de Cherbourg

Berthomé, Jean-Pierre, Jacques Demy et les racines du rêve, Nantes: L'Atalante, 1996.

Duggan, Anne E., Queer Enchantments: Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy, Detroit: Wayne State University Press, 2013.

Hill, Rodney, ‘The New Wave Meets the Tradition of Quality: Jacques Demy’s The Umbrellas of Cherbourg’, Cinema Journal 48.1 (2008), pp. 27-50.

Lindeperg, Sylvie and Bill Marshall, ‘Time, History and Memory in Les Parapluies de Cherbourg’, in Musicals: Hollywood and Beyond, ed. by Bill Marshall and Robynn Stilwell, Exeter: Intellect, 2000, pp. 98-106.

Orléan, Mathieu, Le Monde en-chanté de Jacques Demy, Paris: Flammarion, 2013.

Peacock, Steven, 'Les Parapluies de Cherbourg', in Colour, Manchester: Manchester University Press, 2010, pp. 91-107.

Stilwell, Robynn J., ‘Le Demy-monde: The bewitched, betwixt and between French musical’, in Popular Music in France from Chanson to Techno: Culture, Identity and Society, ed. by Hugh Dauncey and Steve Cannon, Aldershot: Ashgate, 2003, pp. 123-38.

Taboulay, Camille, Le Cinéma enchanté de Jacques Demy, Paris: Cahiers du cinéma, 1996.

Waldron, Darren, Jacques Demy, Manchester: Manchester University Press, 2015.