| Student |
Title of Thesis |
| An, Chai-Rin |
The multiple identities of creative labourers and negotiated creative autonomy : an empirical research with light-entertainment television PDs in South Korea (2016) |
| Barrett, Maria |
'Our place': class, the theatre audience and the Royal Court Liverpool (2016) |
| Belfiore, Eleonora |
Ubi maior, minor cessat: A comparative study of the relation between changing cultural policy rationales and globalization in post-1980s England and Italy (2006) |
| Bilton, Chris |
Towards Cultural Democracy: Contradiction and Crisis in British and U.S. Cultural Policy 1870-1990 (1997) |
| Bjornsen, Egil |
Norwegian cultural policy: a civilising mission? (2009) |
| Borchi, Alice |
Culture and economic crisis: cultural value in Italy from 2008 to the present day (2017) |
| Chen, Nic |
Cultural policy, ideology and national development in China : the historical crisis of the Communist Party's management of culture.(2019) |
| Chibici-Revneanu, Claudia |
A Masculine Circle: The Charter Myth of Genius and its Effects on Women Writers (2012) |
| Choe, Boyun |
Cultural Politics of Creativity: a comparative study of the development of the cultural policy discourses of creativity in England and Korea (2010) |
| Chuangchai, Phitchakan |
The creative city in the ASEAN context: the cultural policy of the Southeast Asian creative cities network.(2020) |
| Chung, Hsiao-Ling |
Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan (2009) |
|
Darmini, Asep Muizudin Muhamad
|
Internet and the public sphere in the Indonesian Islamic boarding schools (Pondok Pesantren) : power, piety, and the popular (2021). |
|
Demir, Dace
|
The institutionalisation project of Latvian contemporary visual arts : a critical-historical analysis of the Latvian field of cultural production 1991-2016 (2020) |
| Enriquez-Soltero, Gonzalo |
Deeper into the Labyrinth: a Study of the Impact of Risk Narratives on Culture, Based on Two Crime Urban Legends Spread by Email in Mexico (2005 - 2007) (2011) |
| Evangelista, Julia |
Celebrating Madness: race, the carnivalesque and citizenship in Brazil (2022)Link opens in a new window |
| Ferdinand, Gabrielle |
Brand in the Caribbean: a cultural analysis of the regional creative economy (2017) |
| Folk, Linda |
Towards uncovering the hidden barriers and enablers of collaborative idea generation : an exploration of process gains and losses as they pertain to novel idea production in an organizational team context. (2020) |
| Kawashima, Nobuko |
Cultural Policy Research: An Emerging Discipline Between Theory and Practice (PhD by published work, 1999) |
| Kim, Ju-Young |
Rethinking Media Flow under Globalisation: Rising Korean Wave and Korean TV and Film Policy Since 1980s (2007) |
| Kohler, Paul |
Creativity in Video Games: A Creativity Model Set Illustrating the Creative Process with Theoretical and Practical Implications (2012) |
| Lee, Dong-Joon |
Strategic organisational change and artist-leadership in the K-pop industry: a narrative analysis approach.(2021) |
| Lee, Hye-Kyung |
Reinventing the Non-Profit Theatre: a study of the growth of educational work in British non-profit theatres from the 1990s to the present (2004) |
| Lemasson, Gaëlle |
Evolution of the rationales for Quebec's cultural policy from 1959 to 1992 : in search of a compromise (2013) |
| Lim, Lorraine |
In the global field of cultural production: Singapore as global city for the arts (2009) |
| Lim, Michael Kho |
Pinoy Indie, Inc. : the cultural economy of distribution and Philippine independent cinema (2017) |
| Maelen, Kjell |
Arts centres as audience relationship managers (2008) |
| Md Fazil, Fazlinda |
Theatre makers’ experience with crowdfunding : an exploratory study (2021) |
| Naudin, Annette |
Cultural entrepreneurship: identity and personal agency in the cultural worker's experience of entrepreneurship (2015) |
| Noh, Seong Lim |
Religion and cultural policy in North Korea: the significance of protestantism in politics, culture and international relations from the 1970s to the early 1990s (2016) |
| Oladepo, Oluwatomi Temilola |
The digital public sphere: developing a culture of democracy in contemporary Nigeria (2015) |
| Parry, Joy |
Companies of clouds: the development of multilateral cultural cooperation in western European international organisations (2000) |
| Ruan, Hanzi |
Understanding China’s national identity and identifications through mediated popular culture (2020) |
| Sampaio Pedroso de Holanda, Juliana |
From Rio92 to Rio+20 : Brazilian media coverage of sustainable development (2022) |
| Sonbol, Deema |
A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia. (2020) |
| Song, Junmin |
The making of a creative city: urban cultural policy and politics in the Digital Media City (DMC) Seoul (2015) |
| Upchurch, Anna |
Maynard Keynes, Vincent Massey, and the intellectual origins of the Arts Council of Great Britain (2008) |
| Yoo, Jiyun |
Live music and the dilemmas of the Korean consumer experience : consumption, markets, and identities (2014) |
| Yuk, Joowon |
Talking culture, silencing 'race', enriching the nation : the politics of multiculturalism in South Korea (2014) |
| Walkley, Sarah |
To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry (2016) |
| Wang, Jufang |
China’s public opinion control in the platform era : news, media power, and state-platform collaborative governance.(2019) |
| Wang, Li-Jung |
Towards multiculturalism?: identity, difference and citizenship in cultural policy in Taiwan (1949-2002) (2003) |
| Wang, Lingjie |
Analyzing the Dynamics between Organisational Culture and Change - a case study of China Central Television (CCTV) in Transition (2006) |
| Wesner, Simone |
Adaptation and resistance: the impact of German unification on the living and working conditions of visual artists in Saxony and their response to transformation (2002) |
| Woddis, Jane |
Spear-carriers or Speaking Parts? Arts Practitioners in the Cultural Policy Process (2005)
|
