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Publications

Forthcoming

Performing the Secular: Religion, Representation, and Politics. Eds. Milija Gluhovic and Jisha Menon. (Palgrave Macmillan, 2017, forthcoming).

International Performance Research Pedagogy: The Unconditional Discipline? Eds. Sruti Bala, Milija Gluhovic, Hana Korsberg, Kati Röttger. (Palgrave Macmillan, 2017, forthcoming).

“Spaces of Appearance, Politics of Exposure: Queer Publics, Sexual Justice and Activism in Eastern Europe and India” (with Ameet Parameswaran). In Gendered Citizenship: Performance and Manifestation, eds. B. Paul and J. Reinelt. 2017, forthcoming.

“How does the discipline of theatre and performance studies understands memory through theory and theatre/performance practice?” in Thinking Through Theatre: A Critical Companion to Performance, eds. M. Bleeker; A. Kear; J. Kelleher; H. Roms). Palgrave 2017/18, forthcoming.

Theory for Theatre Studies: Memory (monograph), Methuen Drama, 2019, forthcoming.

The Oxford Handbook of Politics and Performance (with Silvija Jestrovic, Shirin M. Rai, and Michael Saward as co-editors). OUP: 2019/20, forthcoming.

Books

Performing European Memories: Trauma, Ethics, Politics. Basingstoke; New York: Palgrave Macmillan, 2013.

Performing the ‘New’ Europe: Identities, Feelings, and Politics in the Eurovision Song Contest. Eds. Karen Fricker and Milija Gluhovic. Basingstoke; New York: Palgrave Macmillan, 2013.

Politika i Izvodjacke Umetnosti: Zbirka Eseja. [Performance and Politics: A Collection of Essays by Janelle Reinelt]. Eds. Gluhovic, Milija and Ivana Vujic. Belgrade, Univerzitet Umetnosti u Beogradu, Fakultet Dramskih Umetnosti, i Studio – Laboratorija Izvodjackih Umetnosti, 2012.

Book chapters

“Cosmopolitanism.” Performance Studies: Key Words, Concepts, and Theories. Ed. Bryan Reynolds. London: Palgrave Macmillan, forthcoming 2014.

“Tadeusz Kantor.” A New History of Polish Literature. Eds. Tamara Trojanowska, Joanna Nyzinska, Przemyslaw Czaplinski. Harvard University Press, forthcoming 2013.

“European Women on the Move: Gender, Migration and Belonging in Anne Lise Stenseth’s Kiss and Waste Project.” The Kiss and Waste Project. Ed. Morten Johan Svendsen. Førde: Sogn og Fjordane Museum of Fine Art, 2011. 70-85.

“Europeiske kvinner på reise: Kjønn, migrasjon og tilhøyrsle i Anne Lise Stenseths Kiss and Waste Project.” The Kiss and Waste Project. Ed. Morten Johan Svendsen. Trans. Kari Lyngstad. Førde: Sogn og Fjordane Kunstmuseum, 2011. 54-69.

“Marked by Loss: Mourning and Melancholia in Tadeusz Kantor’s I Shall Never Return.” Polish Culture: Private Encounters, Public Affairs. Eds. Tamara Trojanowska, Agnieszka Polakowska and Arthur Plackiewicz. New York: Polish Institute of Arts and Sciences of America, 2012.

Journal articles

“Predaleke obale: Gibraltarski moreuz i stanje vanrednih mera u drami Ovan i kit Ahmeda Gazalija.” Teatron 160-1 (2013): 48-58.

“Melanholicni gubitak u Krajoliku Harold Pintera” (“Melancholic Loss in Harold Pinter’s Landscape”). Sarajevske sveske/Sarajevo notebooks (2010): 265-284.

“Exhumations: The Return of the Dead in Tadeusz Kantor’s Let the Artists Die and Andrzej Wajda’s Katyń”. New Polish Perspectives 1.1 (2010): 227-255.

“Too Distant Shores: The Strait of Gibraltar and the Space of Exception.” Research in Drama Education 13:2 (2008): 147-158.

Performing European Memories book cover

Performing the New Europe book cover