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Publications

Margaret Shewring, ‘Reinhardt’s ‘Miracle’ at Olympia: a Record and a Reconstruction’, in New Theatre Quarterly, Vol. III, Number 9 (Cambridge: Cambridge University Press, 1987), 3-23.

Margaret Shewring, ‘The Two Noble Kinsmen Revived: Chivalric Romance and Modern Performance Images’, in M-T Jones-Davies, ed, Le Roman de Chivalerie au temps de la Renaissance (Paris: 1987), pp.107-32.

Margaret Shewring, A Critical Edition of Sir Robert Howard’s The Great Favourite: or, the Duke of Lerma (New York: Garland Publishing, 1988). [Monograph]

J.R. Mulryne and Margaret Shewring, eds, War, Literature and the Arts in Sixteenth Century Europe (London: Macmillan, 1989).

J.R.Mulryne and Margaret Shewring, eds, This Golden Round: the RSC at the Swan (Stratford-upon-Avon: Mulryne and Shewring, 1989).

J.R.Mulryne and Margaret Shewring, eds, Theatre of the English and Italian Renaissance (London: Macmillan, 1990).

Margaret Shewring, ‘The Cultural Tradition and Shakespeare’s Richard II’, in M-T Jones-Davies, ed, Experience, Coutume, Tradition au temps de la Renaissance (Paris: 1992), pp.53-70.

J.R.Mulryne and Margaret Shewring, eds, Italian Renaissance Festivals and their European Influence (Lampeter: Edwin Mellen Press’ 1992).

J.R.Mulryne and Margaret Shewring, eds, Theatre and Government under the Early Stuarts (Cambridge: Cambridge University Press, 1993; reprinted in paperback, 2009).

J.R.Mulryne and Margaret Shewring, eds, Making Space for Theatre: British Architecture and Theatre since 1958 (Stratford-upon-Avon: Mulryne and Shewring, 1995).

Margaret Shewring, Shakespeare’s Richard II in Performance (Manchester: Manchester University Press, 1996; reprinted in paperback, 1996.

J.R.Mulryne and Margaret Shewring, eds, Shakespeare’s Globe Rebuilt (Cambridge: Cambridge University Press with Mulryne and Shewring, 1997; reprinted in paperback, 2009).

Margaret Shewring, ‘Heidiki Noda’s Shakespeare: the languages of Performance’, in Takashi Sasayama, J.R.Mulryne and Margaret Shewring, eds, Shakespeare and the Japanese Stage (Cambridge: Cambridge University Press, 1999), pp. 94 – 110.

Takashi Sasayama, J.R.Mulryne and Margaret Shewring, eds, Shakespeare and the Japanese Stage (Cambridge: Cambridge University Press, 1999).

J.R.Mulryne and Margaret Shewring, eds, The Cottesloe at the National: Infinite Riches in a Little Room (Stratford-upon-Avon: Mulryne and Shewring with the National Theatre, 1999).

J.R.Mulryne, Helen Watanabe-O’Kelly and Margaret Shewring, eds, Europa Triumphans: Court and Civic Festivals in Early Modern Europe, 2 vols (Aldershot: Ashgate Publishing, 2004; published as an e-book, 2009).

Electronic Publication. Digitisation of Renaissance and Early Modern Festival Books in the Collections of the British Library, March 2005: URL http:/www.bl.uk/treasures/festival books/homepage.html

Margaret Shewring and J.R.Mulryne, ‘Dancing Towards Death: Masques and Entertainments in London and Florence as precedents for Thomas Middleton’s Women Beware Women’, in Dance Research 25.2: November, 2007 (Edinburgh: Edinburgh University Press, 2007) 134-43.

Margaret Shewring, ‘‘Hamlet’ in Performance in the 21st Century’, in Margaret Jones-Davies, ed., Le Silence au temps de la Renaissance (Turnhout, Belgium, and New York: Brepols, forthcoming 2011).

‘Shakespeare and Festival’, in Martin Procházka, Michael Dobson, Andreas Höfele, and Hanna Scolnicov, eds, Renaissance Shakespeare: Shakespeare Renaissances, 9th World Shakespeare Congress (Newark: University of Delaware Press, 2014), pp.105-114.